Only WorldWideWeb, some versions of Netscape and SeaMonkey ever supported the editing. WWW was the only non-modal one, I think it was a worthy design pattern. SeaMonkey still maintains Netscape's composer.

Sophisticated Linux key remapper. Supports per-device and per-application settings. Wayland and X. I should look into this.

Not really a wiki engine though... I'm categorizing it as such due to its history.

Maintained, extensible, comprehensible, popular, efficient, short config. Do not hoard.

Something like make, but magefiles are written in Go instead. Pretty funny.

How to record from mic well. Place mic on a good distance, dampen the area, post-process.

Experiments, technology, and thoughts on life.

Purveyors of fine freeware since 1972. On the net since 1991.*

vintage!

This article is part of the series Understanding ActivityPub, which takes a look at the ActivityPub protocol through the lens of real-world examples. The protocol exchanges are taken from ActivityPub.Academy, a modified Mastodon instance that shows ActivityPub messages in real time (see the announcement post).

The Malleable Systems Collective catalogs and experiments with malleable software and systems that reset the balance of power in computing

A funky keyboard with literal knobs and whistles. Comes with whopping 16 MB of on-board memory, which is thousand times more than on a Pro Micro.

An exploration of the evolution and meaning of the Forth programming language and its context in history.

A long long article about Forth. One probably already knows most of stuff there, but it's fun nevertheless.

How to receive less ads and how good it is.

Интервью с одной из моих любимых групп.

COLTA.RU отправила «Кассиопее», состоящей из театрального звукорежиссера Александра Либерзона (музыка), актера Ильи Самохвалова-Черепко (голос и тексты) и снайпера стрелковой дивизии Сергея Соколова (гитара), вопросы письмом по электронной почте, а в ответ получила фотографии нескольких бумажных листков.

Мы всегда хотели работать в поп-формате, но наш поп-формат не совпадал с общепринятым, и клевали на него (почему-то) люди с различными отклонениями и изъянами во вкусе.